Posts Tagged ‘Printmaking

21
Sep
12

DARIN M. WHITE: OVERFLOW, BACK FROM NEW YORK, A SOLO EXHIBITION

Press release, for immediate release:

DARIN M. WHITE: OVERFLOW

BACK FROM NEW YORK, A SOLO EXHIBITION

Exhibition Dates: September 10-October 5, 2012

Reception Sep. 28th, 2-6pm as part of the

Campus Art Walk and Final Fridays, 2-7pm.

Kansas Union Gallery

1301 Jayhawk Blvd., Level 4

Lawrence, KS 66045

Hours 8:30am-5pm M-F or by appointment.

Darin M. White returns from his debut solo exhibition, OVERFLOW in New York with a expanded  version

at the Kansas Union Gallery. As a Kansas University Alumn, he is the first artist in a series of KU Alumni

Visiting Artist Exhibitions.

OVERFLOW Exhibition Catalog Forward

“I first met Darin White in my studio for a curatorial visit where he was choosing work for an exhibition

in Kansas City. I had never met him before, but instantly I knew he was both a genuine person as well

as being intuitive and sensitive with concerns to both asking questions and in listening to what I had to

say about my own artist practice. I did not know ahead of time that he was considering my work for the

Cara and Cabeza Contemporary show in KC, only that he went to KU, was a Visual Art alum, and was an

artist and art enthusiast.

Through the planning for the Cara and Cabeza Contemporary exhibition I learned more about Darin

and his artistic practice. My first visit to his studio proved to be very exciting! There was so much to see

and talk about, it felt as though we would never have enough time to discuss everything and touch upon

every little detail. Believe me, I wanted to. Artists are always inspired by other artists who go in depth

when it involves their studio, their tools, the layout, the work, the process. You name it, we love to talk about it.

It seemed only natural that when developing the concept for an KU Alumni Visiting Artist Exhibition in

the SUA Gallery inside the Memorial Unions Building on Campus that Darin White should be the first

artist in this exhibition series. I had seen his drive and determination in developing a Kickstarter in order

to have a solo show, OVERFLOW in NYC. I was impressed with both how hard he worked and then with

how well considered his show was when installed. So in offering Darin a solo exhibition in the SUA Union

Gallery, I presented it as having his New York show here at home. Home being both Lawrence, where Darin

lives with his wife Shannon and their daughters Noel and Claire. And art in the White household is truly a

family affair.”

The SUA Union Gallery and the Memorial Unions welcomes Darin White with an open heart and an open mind.

Thank you for taking the time to consider Darin’s work installed in the gallery.”

Gina Adams

Memorial Unions Curator

“The second Campus Art Walk is in collaboration with Final Fridays, which is held in downtown Lawrence each month. This event encompasses different buildings on campus with art collections and displays such as Watson Library, the Art and Design Building and Stuaffer-Flint Hall. The Kansas Union Gallery is the final stop before visitors go downtown to enjoy Final Fridays. This event will start at 5 p.m. to 7 p.m. in the Kansas Union on the fourth floor.

Our Darin M. White galley reception will also be held during this time, showcasing his “Overflow” installation exhibit. Also, the Campus Art Walk will include a performance by the KU African Drum Ensemble, an opportunity to take a commemorative picture at the photo booth and a ceremonial “yarn wrapping” of the Jayhawk.” by Student Union Activities

bioDarin M. White is an artist, independent curator and art consultant based in Lawrence, KS. White has a BFA in sculpture from the University of Kansas. With his wife Shannon, a painter and arts advocate, he founded b.a.l.m. (beauty, art and life movement) in 2007. Together they promote creativity and action, encouraging others in their art and understanding. In 2010, he helped launch the Final Fridays events in Lawrence, and is currently a commissioner for the Lawrence Cultural Arts Commission.White equates his artwork to digging in the field, looking for treasures and mysteries to reveal. This current work is related to visions and dreams, which he hopes will raise questions for the viewer about the life they are living. These concepts can be seen in Bear Heart, in which he states; “A naturally peaceful bear protrudes from the wall with arms extended in a kind gesture, paws touching. The negative shape of the arms creates a simple but powerful message, and encourages the viewer to wrestle with larger issues of life.”

OVERFLOW

SEEDS FOR REFLECTION: an essay

For those of us who like our epic quotes, you have heard this one before: “What good is it if you gain the whole world, but lose your soul?” That is a close paraphrase fished out of the Bible, spoken by Jesus. The pointed question echoes a proverbial human drama, if there is one; but have we considered its hypothetical inverse? What good would it be if we have our souls, then lose the whole world?

I would guess that Darin White, in the exhibition OVERFLOW, had considered that dilemma before. So let’s say you choose personal integrity and retain that inner consciousness, but then still watch your material universe (presumably as precious) slip away? In the text accompanying the exhibition, he initiates his version of the question, asking you and me: “What will you do with what we are given?”

The artist told me he does not care for political enmeshment, but OVERFLOW is after all a show traveling from a Brooklyn, New York gallery called Soapbox to a space called Union Gallery at Kansas University (And I as essayist have just newly returned to the Los Angeles area). Notice that the artist’s question, consciously or subconsciously formed, addresses “you” while acknowledging a collective “we”. Sounds like Kennedy’s Camelot speech. Not to get bogged down with American politics of current election-season 2012, one cannot help but consider the ideological tug-of-war between shared or individual powers, what is inherited and what is earned, the rhetoric’s between “you didn’t build that” and “the achievement of the individual.” Art world gatekeepers– art dealers to art academics– speak about the “timeliness” of consequential art-making, and I’d say the contents of OVERFLOW are pretty darn timely.

What we are given here: choices, self-conscious souls, material goods, an American two-party system, a big nation where we are allowed to ask big, philosophical questions out loud and to one another. But allow me to touch upon a few points on what we are given, in the more concrete ways we as gallery goers can see, smell, touch (at least with creative imaginations).

What provokes us in OVERFLOW is a once-living black bear, with arms roughly forming a heart-shaped void. A real bear hug to the usual living-room trophies of fierce teeth and outstretched claws typical of Americana. This bear seemingly presides over a wooden structure which in turn sits atop a large pool of corn seeds. In White’s written text, his subjects of “farmland, barns and brimming silos” are invoked more as dreamy state and visionary condition than simple nostalgic sentimentality; we are living at a time not only of nationwide recession and serious natural droughts. In fact, a material crisis is shared, if not eclipsed, by the wider economic shakeup of European and Japanese powerhouses. Timely? Look up what hot-blooded Italians did with Arte Povera (literally “Poor Art”) during the 1960s, in a time of too-cool American minimalism.

As he composed this installation between Overflow and Bear Heart, did Darin White realize how unsettling OVERFLOW is as a show? Did he ever think “bear market”, as we like to call cycles of downturn? Did he consider the ironic contrast of connotations in “Over” versus “Flow”? Here is another fact, this one about those copper etchings, available to anyone who can look up “copper” in Wikipedia.com: “Copper has been in use at least 10,000 years, but more than 95% of all copper ever mined and smelted has been extracted since 1900.” And here I thought quoting Jesus would be controversial.

Samuel W. Kho

Curator, Los Angles and New York

Facebook invitation:

Darin M. White: OVERFLOW, Back from New York, A Solo Exhibition – Kansas Union Gallery

DARIN M. WHITE

Artist | Independent Curator | Art Production Consultant

http://darinwhite.com

785.842.2216

https://i2.wp.com/payload.cargocollective.com/1/1/40895/894465/Image%201%20Darin-M.-White-F8-Web.jpghttps://i1.wp.com/payload.cargocollective.com/1/1/40895/900788/image%201%20DarinMWhite_QuiverFullAngledWeb.jpghttps://i2.wp.com/payload.cargocollective.com/1/1/40895/899924/image%201%20_MG_1456.jpg

“~speaking for truth and beauty, with the tools of my trade and the eyes of my heart, which are not my own~”

07
Mar
12

Update on Kickstarter project launch

I recently announced that I was approved for a Kickstarter project for my debut solo exhibition in New York.

Here are some updates in regards to launching the Kickstarter. I am adding images that I will use in the
project launch. Please stay tuned for the actual launch and details! Thank you!

Here are some highlights of rewards for funding this Kickstarter project…

Corn Seed Packets

As part of the Overflow site specific installation, there will be empty seed packets printed on the front with
image of the work and the back will have information about the work the exhibition and sponsor. Below is
concept images of the front and back of seed packet. I foresee the empty seed packets being mailed out as
postcards announcing the exhibition, and inviting the viewer to come see the show and take a few seeds.
This will also be a reward for pledging on Kickstarter.

These seed packets will also be at the gallery and available to use to pick up a few seeds from the exhibition.

Darin M. White, Seed Packet Concept Front Image, 2012

Darin M. White, Corn Seed Packet Concept Back, 2012

Bear Heart T-Shirt

I have had requests to make T-Shirts of my work in the past, but never had the right opportunity. My brother
and I used to own a clothing company, and screened many shirts in my day! The Winged Wonder was one
of my designs. I should dig one up sometime and show you. hmmm

Darin M. White, Concept image for Bear Heart Sketch T-Shirt

I surveyed a few people and they seem to think that a simplified version of the actual Bear Heart
concept image was preferred to the simple line drawing above. Here is what it will probably look
like.

Here is what the Bear Heart will look like on a t-shirt. Most likely soft ringspun, per Lisa Lala’s request.
They will come in a variety of colors. It is a fun grab bag.

Bear Heart T-Shirt Concept on Yellow

Darin M. White, Bear Heart, T-Shirt Mock Up Image, 2012

Exhibition Catalog

I have been waiting for a while to print a catalog of my work, and now it is time!
This catalog will most likely be a softcover, saddle stitched, unless I go beyond funding a way!
Below is my concept image.

Darin M White, Overflow Exhibition Catalog concept

Pencil Drawings

Below are a couple of pencil drawings of the Appropriate Attire works. I am thinking about including a print
of these for one of the rewards.

Darin M White, Appropriate Attire: Burlap and Earth, Pencil drawing, 2012

Darin M White, Appropriate Attire: Ashes and Burlap, Pencil drawing, 2012

Change Forward Conceptual Rendering

There are a number of renderings I am going to offer as various sizes and levels of prints. Here is one…

Darin M. White, Change Forward Conceptual Image, 2011

Surprise Quick Sketch

One of the rewards I am going to offer is a quick sketch of whatever is
on my mind at the moment (I know scary thought), but hopefully interesting.
It might be a cartoon, or naturalistic sketch, stylized, etc. Surprise!

Darin M. White, Quick Sketch Bear Example, Ink, 2012

Arrow Antler T-Shirt or Sketch

Below is another ink drawing that I am considering offering as a T-Shirt
or sketch reward. What do you think? It would probably be printed on a random colored shirt.

Darin M. White, Arrow Antler, Ink, 2012

Overflow Card Concept Image

Another option for cards is the “Bear Heart” image:

"Bear Heart" Greeting Card Concept Image

Of course my family is putting up with me, with all of the work I am putting into this project

I am so thankful for them! Here is a photo from Fall 2011.

A photo by my dad, Ed White, Darin and Shannon White Family Photo by Graffiti, 2011

Here is another one of us on a crazy windy day (March 2012) in a corn field. It is amazing to
see how fast Claire is growing up!

White Family Photo March 2012 in a corn field, just outside of Lawrence, Kansas

©2012 Darin M. White

Please keep a look out for this Kickstarter launch! Thank you!

Darin M. White
http://darinwhite.com

https://i2.wp.com/payload.cargocollective.com/1/1/40895/894465/Image%201%20Darin-M.-White-F8-Web.jpghttps://i1.wp.com/payload.cargocollective.com/1/1/40895/900788/image%201%20DarinMWhite_QuiverFullAngledWeb.jpghttps://i2.wp.com/payload.cargocollective.com/1/1/40895/899924/image%201%20_MG_1456.jpg

21
Sep
11

Booking It To Brooklyn: A Library of Texas Contemporary Art (With Some Friends Who’ve Joined Us Along the Way)

Booking It To Brooklyn:
A Library of Texas Contemporary Art
(With Some Friends Who’ve Joined Us Along the Way)

Curated by Darin M. White

June 24th-July 8th, 2011

Produced and Directed by Rex Hausmann and Hausmann Millworks
operating in conjunction with
CENTRAL BOOKING Art Space
111 Front Street
Gallery 210
Brooklyn, NY 11201
Closing reception: July 7th, 2011 as part of “First Thursday” art walk
http://www.brooklynartproject.com/page/1st-thursdays-dumbo-galleryA collection of contemporary works from San Antonio, Los Angeles, New York, Kansas City & Philadelphia.
Organized like any good collection: varied tastes, materials & subjects form prose of an odd exotic sort.
Please enjoy the chapters enclosed. Happy reading.
Rex Hausmann
Producer/DirectorIn an exhibition that was curated in around a week, we find a story of Rex Hausmann
of Hausmann Millworks: A Creative Community. The-GO-man, the get-it-done-guy,
the-too-many-irons-in-the-fire-but-making-it-all-work. 1/4 Italian, 1/4 Mexican,
1/2 German and all San Antonian, Hausmann has a new story for everyday
of the week and they are all good. Hausmann Millworks is a 44,000 square foot millwork
manufacturing building in San Antonio Texas, that has been transformed into
“A Creative Community” of artist studios, galleries and provides opportunities and real life,
art and business education to its artists. This exhibition includes mostly San Antonio
artists and tells the story of how they and other friends have come into the conversation
and are now Booking It To Brooklyn. From Marilyn Lanfear and Larry Graeber who’s work
spans five decades, to LA artist Kiel Johnson who is showing in various museums to
Mel Latimer and Casey Ruiz who are just getting their feet wet, the list of artists and
artwork are as varied as America itself. Exhibited in Brooklyn’s Central Booking Art Space
in Dumbo. The show revolves around the galleries theme of art books, prints and works
on paper with some more conceptual notions. Don’t be surprised if this list of artists
changes before the opening, it is par for the course. The show may end up in Tunisia
for all we know…with bells on.
Darin M. White
Curator

Artists:
Chapter 1: Foundations
David Almaguer
Arturo Almeida

Jonathan Cowan
Chapter 2: New Friends
David Alcantar
Larry Greaber
Marilyn Lanfear
Ansen Seale
Chapter 3: An Unusual Pair
Louis Vega Trevino
Mark Wiegand
Chapter 4: New Horizons
Mel Latimer
Kevin Rayhons
Casey Ruiz
Chapter 5: Some Friends Dropped in For a Visit
Michelle Carollo
Jane Flanders
Jimmy Greenfield
Kiel Johnson
Don Lisy
Alison Stigora
Shannon White
Chapter 6: The Lady with Embroidered Shirts & A Man with a Cactus
Leigh Anne Lester
Joseph Adams

Marilyn Lanfear Marilyn & the Law1982 Revolver, book, promises 5″ x 14″ x 10″


Kiel Johnson Sincerely Yours 2009 Ink on paper 17.75″ x 24″ (Image Courtesy of Davidson Contemporary NY, NY and artist)

Larry Graeber Colorform Book Font Cover, Paper and ink 11″ x 10″ 16 Pages
Ansen Seale Congress 2011 Digital print on maple veneer 48″ x 48″
Left to right, Jane Flanders, (Ledge) Larry Graeber, Joseph Adams, (Hanging) Kiel Johnson
(Hear Ye, Hear Ye, Hear Ye), Kevin Rahyons, Marc Weigand, (Pedistal) Marilyn Lanfear,
Kiel Johnson (Rejection Letter)
Left to Right: Kiel Johnson (Rejection Letter), David Alcantar, (Top) Louis Vega Travenio,

(Bottom) David Almaguer, Don Lisy

Left to Right: Mel Latimer, Shannon White, Jimmy Greenfield, Jonathan Cowan,
(Table) Leigh Anne Lester, Ansen Seale, Michelle Carollo
Left to Right: Mel Latimer, Ansen Seale, Michelle Carollo, (Top) Marc Wiegand,
(Bottom) Casey Ruiz, Alison Stigora

More images and price list available on request by contacting Darin White or Rex Hausmann

22
Aug
11

THE SPARKLE THAT FEEDS

Here is an art review I wrote a little bit ago. I waited to publish it on my site to give enough time for eReivew to the get the press out.
Hope you enjoy!
By Darin M. White May 13, 2011

A review of the spring Bread and Glitter journal release exhibition

ChrisBohatyritz2
Chris Bohatyritz, “Untitled,” acrylic on canvas, 2010-11. Image: courtesy of the artist
Monarch Gallery
Kansas City, Missouri
April 8 — May 13, 2011

Because of the fact that our oldest daughter had a sleep over to get ready for that night, we arrived late from Lawrence, Kansas, to the exhibition party, spurred on by our collective interest in art and an invitation. (My wife Shannon was included in this issue of Bread and Glitter). Bread and Glitter is very recent, well-thought, and well-written ‘zine journal covering art, aesthetics, deep thoughts, and various takes on faith. I have an insatiable diet for seeing art lately. Is it that “art” has increased in quality, or have I become a better viewer? Whatever the answer, my wife, our 10-month-old daughter, and I entered the room about the time when the DJ’s bass kicked in and we could feel our hearts bumping to the beat. The scene took me back to the days when we threw raves in the lunchroom of my family’s manufacturing company.

StuartBury_BreadandGlitterVol1Issue2
Stuart Bury, “Take an Axe to Fear!” cover art illustration for “Bread and Glitter” Volume 1, Issue 2, 2011. Image: courtesy of the artist

Ryan LaFerney, founder and co-editor of Bread and Glitter, which also has an online component, greeted us and graciously provided a run-down of the show, apologizing for the intensity of the sound. This is the B & G Volume 1, Issue 2 Spring Release party. Beyond a party, beyond an exhibition, there is a sense of community in this space called the Monarch Gallery on the first floor of an eight-story brick building on Main Street in Kansas City, Missouri.

Shannon pointed out the fresh-baked bread positioned on a pedestal, displayed as art with a collection of glitter and a small cup of honey. As we looked around the gallery amidst the flashing lights and thumping sounds, we saw additional beacons of bread lifted up to art status and purposed by glitter. Food-for-art, the art of food — how ever it is thought of, is something I think about often.

Katherine O’Hara, who acted as co-curator of the evening’s event, stated she was very pleasantly pleased with the exhibition, which was based on an open-ended general call. In my experience, this strategy can open the door to a potential madhouse — with a plethora of miscellaneous art hung salon-style and crammed so closely together that your eyes beg for mercy. Merciful it was, though, as we were not subjected to an overload of art, but with a variety of thought-provoking, fascinating, and even humorous works.

I was already familiar with many of the artists and have even shown their work in a flash space in Lawrence, Kansas. The talent oozes and the works delight. Being a sculptor and typically drawn to this work like a magnet, I sauntered over to Christina Dostaler‘s piece which looked like a May-day basket in filled with all sorts of edible goodies. I chewed on the luscious colors forms and shapes, but was reminded by my daughter that we should continue to move if we intended to take in the entire exhibition. We enjoyed the miniature and colorful weblike drawings of Lori Bury (whose husband Stuart Bury drew the cartoon for the cover of this B & G issue); her well-thought quintuple arrangement looked like a beautiful happy accident of bright spills and connecting DNA drawings.

ChristinaDostaler_IHopeIHavePotential
Christina Dostaler, installation view of “I Hope I Have Potential,” acrylic on Mylar, monofilament, and plastic, 2010. Image: courtesy of the artist

I was intrigued by Chris Bohatyritz‘s work, especially an untitled painting that reminded me of a monotype plate, with translucent reddish-brown spread across it with a pallet knife, topped with an explosion of small brilliant bright colorful strokes floating and flittering in and out directing themselves in shapes. At the bottom right of the painting peeking out from behind the swaths is a dog with droopy ears and lonesome eyes that looks up and out over the shoulder of the viewer as if he wishes to be somewhere else.

LoriBury_Detail1
Lori Bury, detail of set of four “Untitled” drawings, mixed media, 2011. Image: courtesy of the artist

______

ChrisBohatyritz2detail
Chris Bohatyritz, detail from “Untitled,” acrylic on canvas, 2010-11. Image: courtesy of the artist

______

AmandaBowles_QuietUtterance
Amanda Elise Bowles, still from “Quiet Utterance/Stolen Breath,” video on DVD, 2010. Image: courtesy of the artist

Linnea Gabriella Spransy had a variety of beautiful portraits on paper, which shows her talent to draw from life and to handle any medium/style, as the majority of her current work is completely abstract. I passed by Amanda Elise Bowles‘s video installation Quiet Utterance/Stolen Breath and realized that this wasn’t the time that I would be allowed to sit and contemplate the conceptual observations that she has made. Later, I spent some time with the Bread and Glitter issue itself and read more about her work, wishing I was able to see the installation again. I was drawn to the use of salt-encrusted bricks and the use of breath as a medium.

Ben Jones_Jeremiah
Ben Jones, “Jeremiah,” woodcut on paper, 2009. Image: courtesy of the artist

______

JaneSheldon_TrustingType
Jane Sheldon, installation view of “The Trusting Type,” acrylic on paper, 2011. Image: courtesy of the artist

Instead, however, for this moment I took in Ben Jones‘s large woodblock prints and came back by again to see Jeremiah, with the strong contrast of black and white and the fascinating comedy. I circled back and took some time to study Jane Sheldon‘s paintings (or should they be called drawings)? They are stunningly awkward, but in a way that makes you like them all the more. Her use of text is interesting and somewhat left to the viewers’ imagination, as in The Trusting Type wherein she paints over the majority of the words; some are revealed as though through white-out from beyond the shoulder of the individual portrayed. I can make out “I’m normally the Trusting type…” and a few other words, but it seems as if it really isn’t the words that are important but the mood that the image creates. Again, these works by Sheldon like many of their counterparts are colorful, and after a long winter of drab, this glimmering viewing seems to be just the food I need.

Note:
The exhibition also included work by Wen Dan-Lin, Christina Lenert, Amanda Monson, Lizeth Niño, Brendan O’Shaughnessy, and Michael Powell. Jake Myska is also co-editor of Bread and Glitter.

Original article in:

eReview Magazine

21
Aug
08

clouds are easy to love

I am going to have a piece shown in a local show called “clouds are easy to love” as well as a piece shannon produced on site, as i was tacking mine to the ceiling. the concept is to have the interpretation of clouds on the ceiling as the other artists work about clouds is shown in the rest of the space. A few people involved in b.a.l.m. are going to have work shown on the ceiling at the Alley Gallery a Percolator Project during the new show.

KT, (who ran the Lawrence Social Service League Store when Brian and I started Cheeseball Clothing Company and was instrumental in providing our recycled pants for the TRI-COLORED PASTA’s, TWO TONES with RACING STRIPES, and was a great encouragement) is going to have the rooftop space for her cloud installation. She is a very enthusiastic caring women who is very involved in the Lawrence community.


Opening Friday, August 22
7 to 10 p.m.
poetry by Peter Wright
music by Karl Ramberg
& more
food & drinks, art inside and out
:: be sure and look up ::
_____________________________________________________________________
“seen in a cloud” copyright 2008 Darin M. White
cast crayons, boxers, wax and corrugated paperboard 4″ x 6″
31
Mar
08

Healing Series

Series from Fall 2007- Present – HEALING: 

Introduction-
My son Caden White age four was diagnosed with neuroblastoma cancer (a nervous system cancer in children with around 600 diagnoses per year) June 28th, 2007.  He has been through six of the seven, three to four day chemo rounds, had a stem cell harvest, and had invasive surgery to remove the tumor.  In addition to this the doctors would like him to have a bone marrow transplant and eventually have radiation treatments, additional treatments, and then possibly antibody therapy.  He is currently showing no evidence of disease.  I had never had to deal with any healing issues, but this stirred within me a desire to release these thoughts and feelings that I have surrounding Caden’s health issues.  I feel like working through these ideas in my art has been very helpful to try and focus on the positive things rather on the negative.  I don’t want to downplaying the pain or gloss over heartache, but rather show it in the burning cleansing trial by fire which brings impurities to the surface, so that they can be removed, the poison and pain of medical treatments, all of which is overcome with seared wings of faith, sincere hope, truth, beauty and above all love.  I feel called as an artist to address ideas and truths through my artwork that calls from deep within me to deep within the viewer. 

Title:  Healing:  “ Heart Injection – Faith, Hope & Love”
Media: Hand Carved Cedar Wood, Wood Burned, Cast Lead & Pin Inclusion (Which is known to cause cancer in the state of Kansas) 
Size: 12”L x 2 ½”W x 6 ¼”D 

DarinMWhite HealingHeartInjectionFaithHope&Love 12Lx2.5Wx6.25D Angled Front View Carved&BurnedCedarCastLead  DarinMWhite HealingHeartInjectionFaithHope&Love 12Lx2.5Wx6.25D Side View Carved&BurnedCedarCastLead
DarinMWhite HealingHeartInjectionFaithHope&Love 12Lx2.5Wx6.25D Angled Back View Carved&BurnedCedarCastLead  DarinMWhite HealingHeartInjectionFaithHope&Love 12Lx2.5Wx6.25D Detail Front View Carved&BurnedCedarCastLead


Title:  Healing: “Refining – Faith, Hope & Love”
Media: Hand Carved Cedar Wood
Size: 10”H x 1 3/4”W x 1 ¼ “D 

DarinMWhite HealingRefiningFaithHope&Love 10Hx1.75Wx1.25 Carved Cedar Wood IMG_9857


Title:  Healing: “Caden on Copper in Three”
Media: Photocopy transfer on copper
Size: 16 3/8”W x 6”H x 1/16” Thick 

DarinMWhite HealingCadenInThree 16Wx6H Print on Copper 
IMG_9887

Title:  Healing: “Wooden Form #1 – Organic Carving”
Media: Hand Carved Silver Maple Wood
Size:  12 ½” Diameter 4”H
Collection of Philip and Anh Sawyer

DarinmWhite HealingWoodenFormIOrganicCarving (12.5Diameterx4H Carved Silver Maple)ALL WORK AND IMAGES COPYRIGHTED 2008 DARIN M. WHITE ALL RIGHTS RESERVED
No images or work can be duplicated in any shape or form without prior written permission

15
Nov
07

Destination Postcard Show Opening on 11/16/07 from 5-8pm

b.a.l.m, the arts group that Shannon and I facilitate is having an art show called “Destination Postcards” in the Holiday Art Show at the Art Affair Gallery in Baldwin, KS.  The show opening reception is Friday November 16, 2007 from 5-8 pm.  B.a.l.m’s part in the show is from a gathering we had at the end of March, 2007.  I am sure there will be some type of o’rderves and drink. This is your invitation, use it wisely.  I produced two photocopy transfers on copper.  One which is called: 

“Destination: Healing”  with three cropped images of my son Caden’s head in varying positions dealing with issues surrounding his fight with neuroblastoma cancer.

Caden In Three 

The other transfer print is also on copper and is called:“Destination: Life” which there are miniature images of self portrait drawings that I have produced over the years.

“Destination: Life”

 I look forward to seeing anyone who can attend. Darin




Darin White

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